You can find the first two here. Make sure to watch them on YouTube, where you get the full wide-screen picture.


and inside gatefold sleeve, shown here:
as well as the song titles and lyrics, evoked a mythological and fantasy world. Brian May himself had a sort of wispy Pre-Raphaeliteness to him, as did the band, with their long hair and early Zandra Rhoades, flowing stage costumes.
The song 'White Queen,' in particular, has a Baroque, Medieval feel to it, with it's classical chord progressions and structure. The recording featured here is from 2003 and was made on my Roland KR-375 digital piano. I decided to use some classic Pre-Raphaelite and Art Nouveau images as the visuals to go along with it. Included are artists such as Alphonse Mucha, J.W. Waterhouse, Gustav Klimt, Maxfield Parrish, Edmund Dulac, Arthur Rackham and others.
Over the years I've done a bunch of drawings of Queen and Freddie Mercury. The painting/drawing above (it's in oils and pen and ink) was done for Peter Pop, now the VP of Creative Services at Vanguard Graphic Staffing, but at that time, one of the placement guys in the jobs office at S.V.A. He was hoisting an art show at a local bar and the theme was rock musicians, so he asked some of the students that used the placement office to participate. The pen and ink (rapidograph) drawing of Brian May, above that, is from the late 80's.

















The sketches were to resemble a creature, but be done in such a way that you'd have to look twice to fully see the face, in an ornamental style. From my pencil sketches, my collaborator and client on the project developed rendered ornamental motifs for the four 'clock positions' on the frame. My drawings tended to steer more to the tribal sort of angluar style, rather than a floral, flowery kind of approach, but they still worked out all right. When the final project is done, I'll post a link. The ad is scheduled to run in the New York Times in November, and then be a billboard in Times Square.
The 12:00 and 6:00 positions on the frame were to have frontal views and at 9:00 and 3:00, profiles. For the frontal ones, I drew a line on my paper and drew only on the left side. I scanned that in and in Photoshop, copied that and flipped it, creating the mirror image. I did a little over forty designs in total.